Nick Izzo

Portfolio

Architecture is the discipline of imagination refined through accuracy.

This collection represents my evolving journey in design and building technology—where every line has purpose, every measurement defines space, and every structure tells a story. Creativity and calculation converges to form environments that inspire, serve, and endure. It celebrates the details often overlooked but essential to transforming ideas into meaningful spaces.

My Portfolio

Welcome to my portfolio. Here you’ll find a selection of my work. Explore my projects to learn more about what I do.

Contextual Fit

This project proposes an addition to the Smith House (1965) by Richard Meier, located on the shore of Long Island Sound. The design begins with an analysis of the home’s existing ordering systems—geometry, proportion, and spatial organization—as a basis for extension.

Through extrusion and transformation of these systems, the addition develops a complementary massing that respects the original architecture while establishing its own identity. The program includes a duplex master suite, exercise room, family room, and formal outdoor space, responding to the homeowners’ evolving needs.

The project balances continuity and contrast, reinforcing the integrity of the original design while introducing new spatial relationships.

The design for the Smith Family Home Addition is guided by the metaphor of the lighthouse—a form that provides orientation, protection, and a clear organizational center. The home is conceived as both shelter and framework, supporting the family’s values of connection, wellness, and engagement with the oceanfront setting.

A central gathering space anchors the addition, serving as the core of daily life where shared activities and interactions occur. From this nucleus, spaces radiate outward and upward, establishing a clear hierarchy that balances collective living with moments of privacy and retreat.

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Project 1

Project 2

Project 3

Project 3 : Light

Our final project was to design a proposed non-denominational chapel on the campus of Farmingdale State College. The design focused on creating a peaceful and spiritual environment for people of all faiths through the creative use of natural light and asymmetrical form. The chapel was designed to integrate seamlessly into the campus while providing spaces for worship, reflection, and community gathering.

Light Background Research

The Unity Temple - Frank Lloyd Wright

The lighting in Unity Temple, designed by Frank Lloyd Wright, was thoughtfully designed to create a calm and spiritual atmosphere. Natural light enters through amber-tinted skylights, producing a warm glow that enhances the sense of reflection, serenity, and timelessness within the space.

Frank Lloyd Wright incorporated the concept of “compression and release” throughout the design, using lower ceiling heights in transitional spaces before opening into the expansive sanctuary. This sequence creates a feeling of anticipation and emphasizes the dramatic experience of entering the large, naturally illuminated worship space.

The diffused light entering through the skylights and clerestory windows softens the interior atmosphere while limiting direct views to the outside, encouraging reflection and contemplation. This approach creates a sense of separation from the exterior world and enhances the spiritual quality of the space through a calm, luminous environment.

Site Location

The selected site is located near Lupton Hall, the newly renovated Roosevelt Hall, the campus athletic center, and the main entrance to the college, allowing the chapel to become a central and accessible gathering space within the campus fabric. Adjacent to a large open field, the location provides a calm and open atmosphere that enhances the building’s spiritual purpose while maximizing views, natural light, and connection to the surrounding campus environment.